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Zoë Keating - Into The Trees Album

Zoë Keating - Into The Trees Album

Performer: Zoë Keating
Title: Into The Trees
Released: 2010
Label: Not On Label (Zoë Keating Self-released)
Country: US
Style: Contemporary
Category: Electronic / Classical
Size MP3: 2066 mb
Size FLAC: 2560 mb

Tracklist

1Empty Field2:09
2Lost6:11
3Escape Artist6:34
4Don't Worry5:04
5Optimist (Live)4:09
6The Path5:43
7Hello Night4:28
8Monolith3:04
9Flying & Flocking4:57
10Seven League Boots6:11
11Zinc5:20
12Legions (Forest)2:29
13Optimist5:02
14Whistle0:46
15Forest0:45
16The Last Bird1:57

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
noneZoë Keating Into The Trees ‎(11xFile, Album)Not On Label (Zoë Keating Self-released)noneUS2010
noneZoë Keating Into The Trees ‎(CD, Album)Not On Label (Zoë Keating Self-released)noneUS2010

Credits

  • Mixed By, Mastered ByCount
  • Photography – Jerry Dodrill
  • Photography, Artwork By, Design [Packaging], Art DirectionJeffrey Rusch
  • Written-By, Recorded By, ProducerZoë Keating

Notes

Recorded in Zoë's home studio, aka The Cello Cave. Additional recording and mixing at Nic Nic Studios, Sebastopol and DeciBelle Studios, San Francisco.

Every sound on this recording was played on an acoustic cello, including percussive parts. On "Hello Night" I whistled into the f-holes.

Tracks 12-16 are bonus tracks and do not appear on the standard edition.

Barcodes

  • Barcode: 700261301921

Video

Comments:

Dellevar
As an independent artist and DIY musician, Zoë Keating makes some of the most captivating and rich contemporary music, all within the confines of a very modest setup. Her results on "Into The Trees" are evidence enough.

On "Hello Night", Keating once again explores the outer limits of what it means to create a contemporary sound exclusively with an acoustic cello. The introductory phrases are slight, apparently sampled-and-pitched-up phrases, dipped in reverb and looped in a way that evokes the wind-chilled electronics of distant Finnish ambient music. As Keating plays and adds parts, especially bowed phrases, she takes care to play them with a measured dose of dissonance. These out of phase phrases, fatten the sound naturally, the way a chorus effect might. Upon a closer listen however, these passages have their own micro-structure via the roughness and beating that is mirrored overall, in the spectrally sifted character of the composition itself.

On the final original track, "Flying & Flocking", Keating again resorts to the highly effective alchemical blend of playing plucked micro phrases, running them through a delay line while bowing & looping highly cinematic figures. This living, breathing structure of intricately funked syncopations and textural cello-scapes builds into a blistering feast of solo cello virtuosity on an exquisitely layered sonic fabric!

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