The Doors - Weird Scenes Inside The Gold Mine Album

Performer: The Doors
Title: Weird Scenes Inside The Gold Mine
Cat#: 8E-6001
Label: Elektra
Country: US
Style: Psychedelic Rock, Blues Rock
Category: Rock
Size MP3: 2517 mb
Size FLAC: 2788 mb

Doors Elektra Psychedelic Rock Blues Rock

Download MP3 Download FLAC

Tracklist

1	Break On Through	2:25
2	When The Music's Over	11:00
3	Horse Latitudes	1:30
4	End Of The Night	2:49
5	Running Blue	2:27
6	Peace Frog / Blue Sunday	5:00
7	Shaman's Blues	4:45
8	L.A. Woman	7:49
9	Riders On The Storm	7:14
10	Ship Of Fools	3:06
11	Spanish Caravan	2:58
12	Love Street	3:06
13	(You Need Meat) Don't Go No Further	3:37
14	Take It As It Comes	2:13
15	Love Her Madly	3:18
16	Maggie McGill	4:25
17	The Wasp (Texas Radio & The Big Beat)	4:12
18	The End	11:35
19	Five To One	4:22
20	Strange Days	3:05
21	The Spy	4:15
22	Who Scared You	3:51

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
8E-6001	The Doors	Weird Scenes Inside The Gold Mine ‎(2xLP, Album, Comp, San)	Elektra	8E-6001	US	1972
K 62009	The Doors	Weird Scenes Inside The Gold Mine ‎(2xLP, Comp)	Elektra	K 62009	UK	1972
8122796058, R1 6001	The Doors	Weird Scenes Inside The Gold Mine ‎(2xLP, Comp, Ltd, Num, RE, Amb)	Elektra, Rhino Records	8122796058, R1 6001	Europe	2014
ELK 62 009	The Doors	Weird Scenes Inside The Gold Mine ‎(2xLP, Comp, RE, Gat)	Elektra	ELK 62 009	Germany	Unknown
WPCR-15764/5	The Doors	Weird Scenes Inside The Gold Mine ‎(2xCD, Comp, RE, RM)	Elektra, Rhino Records	WPCR-15764/5	Japan	2014

Credits

Engineer – Bruce Botnick
Producer – Bruce Botnick (tracks: A6, B1, C3, C6, D1), Paul A. Rothchild (tracks: A1 to A5, A7, B2 to B5, C1, C2, C4, C5, D2 to D4), The Doors (tracks: A6, B1, C3, C6, D1)

Engineer – Bruce Botnick
Producer – Bruce Botnick (tracks: A6, B1, C3, C6, D1), Paul A. Rothchild (tracks: A1 to A5, A7, B2 to B5, C1, C2, C4, C5, D2 to D4), The Doors (tracks: A6, B1, C3, C6, D1)

Engineer – Bruce Botnick
Producer – Bruce Botnick (tracks: A6, B1, C3, C6, D1), Paul A. Rothchild (tracks: A1 to A5, A7, B2 to C2, C4, C5, D2 to D4), The Doors (tracks: A6, B1, C3, C6, D1)

Notes

Does not include 'Manufactured and distributed under licence from WEA records Pty. Ltd.' on rear cover or on media.

Rather only includes 'Manufactured and Distributed under licence' on rear cover.Red labels.

1st Category on gatefold 2nd on labels.

Warner Bros logo embossed on back of gatefold sleeve.Mid 80's re-press with black and red labels.

Auto-coupled sides A/D & B/C. Tracks are listed in program order from back cover.

Barcodes

Matrix / Runout (Side A Etched): W-11 K+62009+A2
Matrix / Runout (Side B Etched): W6 K+62009+B2
Matrix / Runout (Side C Etched): W-8 K+62009+C2
Matrix / Runout (Side D Etched): W - 3 K 62009 D-2
Matrix / Runout (Sides A, B, C & D Stamped): STRAWBERRY
Other: BE-6001
Matrix / Runout (side a): W-9 K+62009+A2
Matrix / Runout (side b): W-8 K+62009+B2
Matrix / Runout (side c): W-7 K+62009+C2
Matrix / Runout (side d): W-1 K 62009 D-2

Barcode (Printed): 0 7559-60628-1

Companies

Published By – W.B. Music
Published By – Rondor
Published By – Copyright Control

Printed By – Gothic Print Finishers Ltd.

Phonographic Copyright (p) – Elektra Records

Video

Comments:

Cerar

I've read a lot of bad reviews of this pressing online and I have no reference apart from some of the songs on my CDs, but I think this pressing sounds pretty good to me. Background noise is low, dynamics seem good except for a few spots that seem a little too hot, detail is clear, especially on drums and cymbals. I've had my copy since just after high school, when it was pressed in the mid eighties. Overall, compared to other records I own from that era, I'd rate it a solid B+. Also, this is one of the most well constructed "best of" collections of any band. Somebody put a lot of thought into song selection and order. They saved the best one for last, as When the Music's Over sounds incredible, even though it's the final track, I didn't notice any perceptible IGD.

Also, the fact that each side is about 25 minutes long, it's even more surprising that it sounds good.