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Peter Benisch - Soundtrack Saga Album

Peter Benisch - Soundtrack Saga Album

Performer: Peter Benisch
Title: Soundtrack Saga
Released: 03 Apr 2001
Cat#: MARCD-0152
Label: Turbo
Country: Canada
Style: Downtempo, Ambient
Category: Electronic
Size MP3: 1263 mb
Size FLAC: 2401 mb


1Trenches Of Time4:23
Guitar – Nico Pedersen
3Interstellar Superstructure
Vocals – Krister Linder
4The Wireframe Fields
Vocals – Carina Berg
5Floating Points Of View4:25
6Temple Of Opposites
Vocals – Emma
Vocals – Krister Linder
8The Desert White6:02
9Love Theme
Vocals – Emma
Vocals – Krister Linder


CategoryArtistTitle (Format)LabelCategoryCountryYear
TRB60082Peter Benisch Soundtrack Saga ‎(CD, Album, RE)TurboTRB60082Canada2001


  • Producer, Written-ByPeter Benisch


Written and produced by Peter Benisch at the Globe Studios, Stockholm.



There's something comfortingly indulgent about Peter Benisch's Soundtrack Saga that instantly reminds one of the paths that Brian Eno may have taken upon his first ambient excursions. Textured loops meld with reserved drumbeats for a danceable, down-tempo combination that works equally as well on the dancefloor as it would in a living room. Though mostly electronic, Soundtrack Saga is not electronic for its own sake but rather it comes about quite organically. None of the tracks seem forced, as each takes its own different path, and with beautiful results. The production is thick and dense, illustrating Benisch's attention to detail and his penchant for decadence. Reminiscent of the instrumental portion of Slowdive's Souvlaki, Soundtrack Saga does its part to sound like a film score, yet still seems tailored for intense listening — ambient that begs to be up front. Sometimes spy film, sometimes film poem, Benisch plays with time and space and rhythm so calculatedly that all sense of these elements begins to wither away until all sounds become one and each track leaks its way into the next, culminating in an incredible aural experience.
Very accessible ambient that will please right away, especially since <B>Peter Benisch</B> is not afraid to use melody, and - most important -manages to get away with it. Cover lets you suspect chilly artic but, oh no, you’ll find brilliant orchestral manoeuvres in the hart, velvet in slow motion, a soundtrack for dramatic romance. This is beauty.

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