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Gnarls Barkley - St. Elsewhere Album

Gnarls Barkley - St. Elsewhere Album

Performer: Gnarls Barkley
Title: St. Elsewhere
Released: 09 May 2006
Cat#: 8 7803-70003-1 3
Label: Downtown Music
Country: US
Style: Soul
Category: Hip hop / Soul, Funk
Size MP3: 2923 mb
Size FLAC: 1576 mb

Tracklist

1The Boogie Monster
Bass – Dr. PresidentWritten-By ["Ku Klux Klan Sequence" Elements] – Angelo Francesco Lavagnino, Armando Trovaioli
2:50
2Feng Shui
Written-By ["Tropical" Elements] – Nino Nardini
1:26
3Go-Go Gadget Gospel
Piano – "Ced Keys International"Written-By ["Goin Down To Freedom's Land" Sample] – Nicolas Flagello
2:19
4Transformer
Written-By ["Rubber Solution" Elements] – Marlene Moore
2:17
5The Last Time
Written-By ["Chicano Chaser" Elements] – Ian Langley
3:25
6Crazy
Written-By ["Last Man Standing" Elements] – Gianpiero Reverberi, Gianfranco Reverberi
2:58
7Just A Thought
Acoustic Guitar – Eddie ReyesArranged By – Daniele LuppiSynthesizer [MiniMoog], Synth [BelmoSynth Bass] – Daniele Luppi
3:42
8Online
Bass [Hofner] – David PiltchDrums – Eric BoboSynthesizer [MiniMoog], Arranged By [MiniMoog, Bass] – Daniele Luppi
1:48
9Gone Daddy Gone
Guitar, Bass – Ben H. AllenKeyboards – Dr. PresidentWritten-By – Gordon Gano, Willie Dixon
2:28
10Smiley Faces
Backing Vocals – Menta Malone, Tomika WaldenBass, Organ, Guitar – Dr. President
3:05
11Who Cares?
Organ [M.M.A.E. Organ], Synth [Farfisa SynthOrchestra], Arranged By [Organ, Synth, Trumpet] – Daniele LuppiTrumpet – Chris TedescoWritten-By ["Mono Ski" Elements] – Keith Mansfield
2:27
12Necromancer
Guitar – Dr. PresidentOrgan [M.M.A.E. Organ], Arranged By [Organ] – Daniele LuppiSynth – "Ced Keys International"
2:57
13St. Elsewhere
Bass [Fender, Additional] – David PiltchOrgan [M.M.A.E. Organ], Synth [BelmoSynth Bass], Arranged By [Organ, SynthBass, Fender Bass] – Daniele LuppiWritten-By ["Geordie" Elements] – Barry Clarke, Celia Humphris, David Costa, Stephen Brown
2:30
14Storm Coming
Arranged By, Orchestrated By – Daniele LuppiTrumpet – Chris Tedesco
3:08

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
25646 3267 2Gnarls Barkley St. Elsewhere ‎(CD, Album)Warner Bros. Records, Lex Records25646 3267 2UK & Europe2006
WPCR-12328Gnarls Barkley St. Elsewhere ‎(CD, Album)Warner Bros. RecordsWPCR-12328Japan2006
CD 70003Gnarls Barkley St. Elsewhere ‎(CD, Album)Downtown Music, AtlanticCD 70003Canada2006
8 7803-70003-2 0Gnarls Barkley St. Elsewhere ‎(CD, Album)Downtown, Atlantic8 7803-70003-2 0US2006
SAM01120Gnarls Barkley St. Elsewhere ‎(LP, Album, Ltd, Promo)Warner Bros. RecordsSAM01120UK2006

Credits

  • Art DirectionTom Hingston Studio
  • Coordinator [Management Coordination]Ayiko Carmichael, Dawn Englehart, Isabelle Naral
  • DesignAlex Kirzhner
  • EngineerBen H. Allen
  • Engineer [Additional]Mark 'Exit' Goodchild (tracks: A5, A7, B2)
  • Engineer [Mix Engineered By]Kennie Takahashi
  • IllustrationKam Tang
  • Lacquer Cut ByRCE
  • LegalWilliam Berrol, Esq.
  • ManagementMonopoly Management, Waxploitation, Inc.
  • Management [At Monopoly]KC Morton
  • Management [At Waxploitation]Jeff Antebi
  • Mastered ByMike Lazer
  • Mixed ByBen H. Allen, Danger Mouse
  • Music ByDanger Mouse
  • PerformerGnarls Barkley
  • ProducerDanger Mouse
  • Words ByCee-Lo Green
  • Written-ByAngelo Francesco Lavagnino (tracks: A6), Armando Trovaioli (tracks: A6), Barry Clarke (tracks: A3), Brian Burton (tracks: A1 to A3, A5 to B3, B5 to B7), Celia Humphris (tracks: A3), David Costa (tracks: A3), Gianpiero Reverberi (tracks: A2), Gianfranco Reverberi (tracks: A2), Ian Langley (tracks: B7), Keith Mansfield (tracks: B3), Kevin Peek (tracks: B1), Marlene Moore (tracks: B2), Nicolas Flagello (tracks: A1), Nino Nardini (tracks: A7), Stephen Brown (tracks: A3), Thomas Callaway (tracks: A1 to A3, A5 to B3, B5 to B7)

Notes

℗ © 2006 Gnarls Barkley under exclusive license to Downtown Music, LLC and Atlantic Recording Corporation for the United States, Canada and Mexico.
Manufactured by Atlantic Recording Corporation

Mastering at Paramount.

Brian Burton appears courtesy of Lex Records

A1 Published by Chrysalis Music Ltd/Warner/Chappell Music/Thomas J Valentino Music © 2006. Contains samples from "Goin Down To Freedom's Land" Published by Thomas J Valentino, Inc. (ASCAP) courtesy of Thomas J. Valentino.
A2 Published by Chrysalis Music Ltd/Warner/Chappell Music/BMG Ricordi Music Publishing SPA/Atmosphere Music Ltd/BMG Zomba Production Music © 2006. Incorporates elements of "Last Man Standing" Published by BMG Ricordi Music Publishing SPA/Atmosphere Music Ltd/BMG Zomba Production Music. The sample of "Last Man Standing" is courtesy of BMG Zomba Production Music Ltd.
A3 Published by Chrysalis Music Ltd/Warner/Chappell Music/Trees Music Ltd/Universal/Island Music Ltd © 2006. Incorporates elements from "Geordie" Published by Trees Music Ltd/Universal/Island Music Ltd.
A4 Published by Gorno Music (ASCAP)/Hoochie Coochie Music (BMI). Admin. by Bug Music © 1980.
A5, B5 & B6 Published by Chrysalis Music Ltd/Warner/Chappell Music © 2006.
A6 Published by Chrysalis Music Ltd/Warner/Chappell Music/BMG Ricordi Music Publishing SPA/BMG Music Publishing Ltd © 2006. Incorporates elements of "Ku Klux Klan Sequence" Published by BMG Ricordi Music Publishing SPA/BMG Music Publishing Ltd. The sample of "Ku Klux Klan Sequence" is courtesy of BMG Zomba Production Music Ltd.
A7 Published by Chrysalis Music Ltd/Warner/Chappell Music/Chappell Recorded Music Library/BMG Zomba Production Music © 2006. Incorporates elements of "Tropical" Published by Chappell Recorded Music Library/BMG Zomba Production Music. The sample of "Tropical" is courtesy of BMG Zomba Production Music Ltd.
B1 Published by Chrysalis Music Ltd/Warner/Chappell Music/JW Media Music Ltd © 2006. Incorporates elements of "Touch Of Class" published by and used courtesy of JW Media Music Ltd -PRS.
B2 Published by Chrysalis Music Ltd/Warner/Chappell Music/Chappell Recorded Music Library/BMG Zomba Production Music © 2006. Incorporates elements of "Rubber Solution" Published by Chappell Recorded Music Library/BMG Zomba Production Music. The sample of "Rubber Solution" is courtesy of BMG Zomba Production Music Ltd.
B3 Published by Chrysalis Music Ltd/Warner/Chappell Music/KPM Music Ltd © 2006. Incorporates elements of "Mono Ski" the copyright in the composition and sound recording of which are owned by KPM Music Ltd.
B4 Copyright control.
B7 Published by Chrysalis Music Ltd/Warner/Chappell Music/Bruton Music/BMG Zomba Production Music © 2006. Incorporates elements of "Chicano Chaser" Published Chrysalis Music Ltd/Warner/Chappell Music/Bruton Music/BMG Zomba Production Music. The sample of "Chicano Chaser" is courtesy of BMG Zomba Production Music Ltd.

Barcodes

  • Barcode (Printed): 8 7803-70003-1 3
  • Barcode (String): 878037000313
  • Matrix / Runout (Side A runout, etched): ST-DWT-70003A-1 REM-RCE
  • Matrix / Runout (Side B runout, etched): ST-DWT-70003 B-1
  • Rights Society (A4): ASCAP
  • Rights Society (A4): BMI

Companies

  • Phonographic Copyright (p) – Gnarls Barkley
  • Copyright (c) – Gnarls Barkley
  • Licensed To – Downtown Music, LLC
  • Licensed To – Atlantic Recording Corporation
  • Manufactured By – Atlantic Recording Corporation
  • Mastered At – Paramount Recording Studios
  • Published By – Chrysalis Music Ltd.
  • Published By – Warner/Chappell Music
  • Published By – Thomas J. Valentino Music
  • Published By – Thomas J. Valentino, Inc.
  • Published By – BMG Ricordi Music Publishing Spa
  • Published By – Atmosphere Music Ltd.
  • Published By – BMG Zomba Production Music
  • Published By – Trees Music Ltd.
  • Published By – Universal/Island Music Ltd.
  • Published By – Gorno Music
  • Published By – Hoochie Coochie Music
  • Published By – Bug Music
  • Published By – BMG Music Publishing Ltd.
  • Published By – Chappell Recorded Music Library
  • Published By – JW Media Music Ltd
  • Published By – KPM Music Ltd.
  • Published By – Copyright Control
  • Published By – Bruton Music
  • Lacquer Cut At – R.E.M. Sound

Video

Comments:

Kamick
I agree with those saying this album is great because it's so eclectic. I wish I could say the same for the vinyl, itself - I bought a sealed copy, and when I opened it, it already had several fingerprint smudges and a thumbprint-shaped depression in both sides of the record. Neither seem to affect sound quality, but I was kind of shocked to see fingerprints (like 5 distinct prints) on a sealed album. I doubt it was resealed, it's not like it's a super valuable record, it just seems like the quality control was lacking.
Shaktit
Indeed a very eclectic album, maybe a bit too much.
Anyway I just listened to it again and I can't say it really stands the test of time, but that's very personal though.
One song that I still really like is Just A Thought, dark triphop!
Delalbine
I argue, in direct contradiction to 'ibbjamin', that this album is well-worth the purchase. While is only short (less than 40 mins?), it has such a huge, eclectic collection of songs that you won't even notice (i only noticed because someone else mentioned it, it had never even occured to me prior to that).

There's the dangerously catchy, and love-at-listen-loveable 'Crazy' (you've probably heard it somewhere), the WEIRD 'Necromancing', the brilliant and slighly laid-back, but oh-so-beautiful 'Who Cares?' and one of my favourites, the simple, progressing and bouncing, "Gone Daddy Gone"

This is a seriously hard album to classify; the mix of genres is incredible. Crazy is kind of Nu-Soul
Necromancing is verging upon Abstract Hip Hop (or 'Trip Hop')
Gone Daddy Gone is verging upon Big Beat (as in modern, Palookaville*-esque Big Beat)

Give this album a go, odds are you'll find something to your liking.

*Palookaville is Fatboy Slim's latest album, with a much warmer and more relaxed Big Beat sound (on the whole) than some of his other works, or others of the genre.

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