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Flightcrank - Beyond All Reasonable Doubt Album

Flightcrank - Beyond All Reasonable Doubt Album

Performer: Flightcrank
Title: Beyond All Reasonable Doubt
Released: 2001
Cat#: COPA20CD
Label: Copasetik Recordings
Country: UK
Style: Trip Hop, Dub, Downtempo, Pop Rock, Acoustic
Category: Electronic / Rock
Size MP3: 2647 mb
Size FLAC: 2158 mb

Tracklist

1When I Get Famous
Written-By – Patrick Fitzgerald
1:29
2Break The Chains
Lyrics By – C. Tucker, L.ThornhillVocals – Charli Tucker
5:41
3Get Real
Engineer, Mixed By – Luke Gifford
1:57
4Sir Grinalot2:01
5Amazing
Bass Guitar – Jonny NightingaleDrums – Al BakerGuitar, Backing Vocals – Kieron PepperProducer, Mixed By – Cameron McVey, Paul SimmWritten-By – K. Pepper, L. Thornhill
4:03
6Take Me Home6:32
7Bright Lights
Bass Guitar – Jonny NightingaleGuitar – Kieron Pepper
3:29
8Inside Out6:06
9Flipside
Guitar, Drums – Kieron PepperWritten-By – K. Pepper, L. Thornhill
2:41
10Cheaper Than Stolen Goods
Guitar – Kieron PepperProducer, Mixed By – Cameron McVey, Paul SimmWritten-By – C. McVey, L. Thornhill, P. Simm
4:28
11Another Year
Guitar – Kieron Pepper
4:22
12What U Need
Lyrics By – C. Tucker, L.ThornhillVocals – Charli Tucker
5:01
13Matchsticks
Harmonica, Guitar – Finley QuayeWritten-By – F. Quaye, L. Thornhill
3:27
14Twisted (Lee Scratch Perry Mix)
Engineer [Vocals] – Luke GiffordRemix, Producer, Mixed By – Lee Scratch PerryVocals – L. Thornhill
4:32

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
CTCM-65016Flightcrank Beyond All Reasonable Doubt ‎(CD, Album, Promo)Cutting EdgeCTCM-65016Japan2003
FL 3181-4Flightcrank Beyond All Reasonable Doubt ‎(Cass, Album, M/Print)Feelee, Copasetik RecordingsFL 3181-4Ukraine2001
CTCM-65016Flightcrank Beyond All Reasonable Doubt ‎(CD, Album)Cutting EdgeCTCM-65016Japan2003
FL 3181-2Flightcrank Beyond All Reasonable Doubt ‎(CD, Album, RE)FeeleeFL 3181-2RussiaUnknown
noneFlightcrank Flightcrank Album Sampler ‎(CDr, Smplr)Copasetik RecordingsnoneUK2000

Credits

  • A&R [Worldwide A & R]John Sexton
  • Design [Cover Design]Sharon Thornhill
  • ManagementJohn Fairs
  • Mastered ByChris Lopsided Potter
  • PerformerLeeroy Thornhill
  • Photography ByDerek Santini
  • Photography By [Cover Photo]Phil Canton
  • ProducerLeeroy Thornhill (tracks: 1, 3, 4, 6 to 12, 14)
  • Written-ByLeeroy Thornhill (tracks: 1, 3, 4, 6, 8, 9, 11 to 13)

Notes

All tracks written, performed and produced at Mill House Studio.
Finley Quaye appears courtesy of Epic Records and EMI Music.
Track 5 written at Bear Studios (for Z Management).
Lee Scratch Perry courtesy of Black Art Studios / Production Jamaica.
Tracks 6, 13: for SRM.
Patrick Fitzgerald courtesy of Complete Music.
Album mastered at Whitfield Street Studios.
L.Thornhill publishing Copyright Control.

Durations on the cover are incorrect. These are the correct durations.

Some copies comes with Promo Sticker.

Barcodes

  • Barcode (Text): 6 69362 00202 4
  • Barcode (Scanned): 669362002024
  • Matrix / Runout (Variant 1): Sony DADC A0100354298-0101 13 A0
  • Matrix / Runout (Variant 2): Sony DADC A0100354298-0101 13 A1
  • Mastering SID Code (Var.2): IFPI L553
  • Mould SID Code (Variant 1): IFPI 94X7
  • Mould SID Code (Variant 2): IFPI 94Z2

Companies

  • Copyright (c) – Copasetik Recordings
  • Phonographic Copyright (p) – Copasetik Recordings
  • Pressed By – Sony DADC – A0100354298-0101
  • Mastered At – Whitfield Street Studios

Video

Comments:

Anarasida
Flightcrank produces slightly off-kilter Bristol trip-hop reminiscent of the sadly missed Cup of Tea label, but you have to wonder if it’s a little too late. On their debut BEYOND ALL REASONABLE DOUBT, there’s an interesting injection of folk-rock into the mix (such as on the uplifting “Amazing”) and a Tricky-esque track (if Tricky suddenly decided to go uptempo) in the sexy and funky “What U Need.” The live feel to the instrumentation also give a vibrant quality to the music. Flightcrank reminds me of Monk & Canatella during their mid-90s highpoint, with indie-rock-tinged male vocals. While that’s not to say that anything on this album is bad or that there’s nothing of value on this album –- it’s just a little behind on the times, I’m afraid.

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